About On the Record

Ken Burns has been making films for more than thirty years. Since the Academy Award nominated Brooklyn Bridge in 1981, Ken has gone on to direct and produce some of the most acclaimed historical documentaries ever made.

A December 2002 poll conducted by Real Screen Magazine listed The Civil War as second only to Robert Flaherty's Nanook of the North as the "most influential documentary of all time," and named Ken Burns and Robert Flaherty as the "most influential documentary makers" of all time. In March, 2009, David Zurawik of The Baltimore Sun said, "... Burns is not only the greatest documentarian of the day, but also the most influential filmmaker period. That includes feature filmmakers like George Lucas and Steven Spielberg.

The late historian Stephen Ambrose said of his films, "More Americans get their history from Ken Burns than any other source." Ken's films have won twelve Emmy Awards and two Oscar nominations, and in September of 2008, at the News & Documentary Emmy Awards, Ken was honored by the Academy of Television Arts & Sciences with a Lifetime Achievement Award.

Ken has been the recipient of more than twenty-five honorary degrees and has delivered many treasured commencement addresses. He is a sought after public speaker, appearing at colleges, civic organizations and business groups throughout the country.

In November, 2012, Burns debuted his documentary on The Dust Bowl, a two-part series about the worst man-made ecological disaster in American history. Future projects include films on the Central Park Jogger case, the Roosevelts, Jackie Robinson, the Vietnam War and Country Music.

In October of 2011 PBS broadcast Prohibition, a 3-part, 5 ½-hour series directed by Ken and Lynn Novick. The film tells the story of the rise, rule and fall of the Eighteenth Amendment to the U.S. Constitution and the entire era it encompassed, a compelling saga that goes far beyond the oft-told tales of gangsters, rum runners, flappers and speakeasies, revealing a complicated and divided nation in the throes of momentous transformation. Prohibition raises vital questions that are as relevant today as they were 100 years ago - about means and ends, individual rights and responsibilities, the proper role of government, and, finally, who is - and who is not - a real American.

An update to the 1994 epic Baseball, The Tenth Inning was co-directed by Ken and Lynn Novick. David McMahon, Lynn Novick and Ken wrote and produced the film, which aired on PBS in September 2010. This two-part, four-hour documentary highlights the many dramatic developments that transformed the game: the crippling 1994 strike, the increasing dominance of Latin and Asian players; the rise of a new Yankee Dynasty, the historic World Series victory by the Red Sox, and the revelations about performance-enhancing drugs, a reality that cast a pall on some of the greatest stars of the game.

In the fall of 2009, PBS broadcast The National Parks: America's Best Idea. Directed and co-produced by Ken, it was co-produced by his long-time collaborator Dayton Duncan.

The six-part series focuses on the ideas and individuals that helped propel the parks into existence. Filmed over the course of more than six years at some of nature's most spectacular locales – from Acadia to Yosemite, Yellowstone to the Grand Canyon, the Everglades of Florida to the Gates of the Arctic in Alaska – the heart of the story is nonetheless a story of people from every conceivable background – rich and poor; famous and unknown; soldiers and scientists; natives and newcomers; idealists, artists and entrepreneurs; people who were willing to devote themselves to saving some precious portion of the land they loved, and in doing so reminded their fellow citizens of the full meaning of democracy.

The film won Emmy Awards for Outstanding Nonfiction Series and Outstanding Writing for Nonfiction Programming, as well as the 2010 CINE Golden Eagle Award.

 In September 2007, PBS broadcast The War, which Ken co-produced and co-directed with long-time colleague, Lynn Novick. This seven-part film tells the story of the Second World War through the personal accounts of nearly 40 men and women from four quintessentially American towns. The series explores the most intimate human dimensions of the greatest cataclysm in history -- a worldwide catastrophe that touched the lives of every family on every street in every town in America.

The War was named an official selection at the 2007 Cannes Film Festival and won three Primetime Emmy Awards: Outstanding Writing for Nonfiction Programming, Outstanding Sound Editing for Nonfiction Programming, and Outstanding Voice-over Performance (for narrator Keith David).

Robert Bianco of USA Today said, "There are works of TV art so extraordinary all you can do is be grateful. With The War, gratitude abounds." Keith Olbermann of NBC/MSNBC said, "This is the finest documentary series of the last decade... if not more," and Adam Buckman of the New York Post has said "I have spent the better part of my adult life watching TV for a living, and I have never experienced anything more powerful than this."

In January of 2005, Unforgivable Blackness: The Rise and Fall of Jack Johnson, a two-part film on the life of the first African-American heavyweight boxing champion, aired on PBS.

It was produced with Ken's long-time collaborator and editor Paul Barnes, and had its premiere at the 2004 Telluride Film Festival. This film won three Emmy Awards: Outstanding Nonfiction Special, Outstanding Writing for Nonfiction, and Outstanding Voice-over Performance (for narrator Keith David). Todd McCarthy of Variety called it "...irresistibly engrossing...masterly... a knockout..."; while The New York Times described it as "monumental...gripping." Ring Magazine, "the bible of boxing," said Unforgivable Blackness is "...the most wildly entertaining documentary ever."

Horatio's Drive: America's First Road Trip, an account of the first cross-country trip by automobile, was co-produced with Ken's long-time colleague Dayton Duncan. This film aired on PBS in October of 2003, and was screened that same year at the Telluride Film Festival.

The film earned the 2003 CINE Golden Eagle Award and, in 2004, the Christopher Award. David Bianculli of the New York Daily News said, "This is one drive on which no passenger will be asking impatiently, 'Are we there yet?' The journey, in this case, is the destination." Mark Sachs of the Los Angeles Times wrote, "The detail work by Burns and Duncan offers such an authentic-feeling trip back in time that it's as if viewers have a backseat perch as Jackson puts his cherry-red Winton touring car in gear and heads east."

Mark Twain, a two-part, four-hour portrait of America's funniest and most popular writer, was also co-produced with Dayton Duncan. Winner of the Leon Award for Best Documentary at the St. Louis Film Festival in 2001, the film aired on PBS in January 2002. Ken Ringle of The Washington Post wrote, "Mark Twain is not only fascinating, funny, inspiring and wise, it's one of the best primers on American literature and culture you could have."

In January 2001, Jazz, the third in Ken's trilogy of epic documentaries, which began with The Civil War and continued with Baseball, was broadcast on PBS. Co-produced with Lynn Novick, this 19-hour, ten-part film explores in detail the culture, politics and dreams that gave birth to jazz music, and follows this most American of art forms from its origins in blues and ragtime through swing, bebop and fusion.

Jack Newfield of the New York Post said, "Jazz is the best American documentary film I have ever seen. Period." Tom Brokaw wrote, "Jazz is a masterpiece of American television." John Carmen of the San Francisco Chronicle wrote, "Jazz informs, astonishes, and entertains. It invites joy, tears, toe-tapping, pride, and shame and maybe an occasional goose bump."

Not For Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony, winner of the prestigious Peabody Award and an Emmy Award, was co-produced with Paul Barnes and aired on PBS in November of 1999. This dual biography tells the story of the two women who almost single-handedly created and spearheaded the women's rights movement in America, changing for the better the lives of a majority of American citizens.

As Bob Herbert of The New York Times stated: "The latest splendid effort from...Ken Burns is about two women who barely register in the consciousness of late-20th century America, but whose lives were critically important to the freedoms most of us take for granted." The 2000 Peabody Award citation for NFOA reads: "Remarkable...It is an inspiring story of hopes, dashed dreams and dogged determination...NFOA...brings heart, soul and considerable poignancy to the stories of these two leaders of the women's suffrage movement."

Frank Lloyd Wright, co-directed and produced with Lynn Novick, premiered at the Sundance Film Festival in January 1998, and aired on PBS in November of that year. The film, which tells the riveting story of America's foremost architectural genius, is, according to Janet Maslin of The New York Times, a "towering two-and-one-half-hour(s)...sure to have a high profile because of the turbulent, colorful life of the architect and the austere magnificence of his work, which is thoughtfully assessed." Kenneth Turan of the Los Angeles Times says the film "...has the unbeatable combination of exceptional interview material and beautiful architectural photography put at the service of an astonishing life." In 1999, it won the Peabody Award.

In November 1997, Lewis and Clark: The Journey of the Corps of Discovery was released to critical acclaim and garnered the second-highest ratings in Public Television history. This four-hour film, co-produced with Dayton Duncan, chronicles the corps' journey westward on the first official expedition into uncharted spaces in United States history.

Tony Scott of Weekly Variety called the film "...a visually stunning account...Striking photography, superb editing, informative reportage and little-known anecdotes characterize the latest fine documentary work from Burns," and Don Heckman of the Los Angeles Times wrote, "...superb...a vast landscape that, even on the television screen, underscores the sense of awe reported by Lewis and Clark in their journals."

Thomas Jefferson,a three-hourportrait of our third president, aired in February of 1997. This film explores the contradictions in the man who was revered as the author of the most sacred document in American history and condemned as a lifelong owner of slaves. Walter Goodman of The New York Times said: "...Thomas Jefferson is a considerable accomplishment, a thoughtful and affecting portrait of the intellectual who captured the essence of a new nation's hopes in phrases that continue to resound around the world." And George Will, in The Washington Post, said: "...Ken Burns presents a timely corrective, a visually sumptuous and intellectually judicious appraisal of Jefferson."

In the fall of 1996, The West, an eight-part, 12 1/2 hour film series on the American west was released. The West is the story of one of the great crossroads in human history, a place where, tragically and heroically, the best of us met the worst of us and nothing was left unchanged. Ken Burns was executive producer and creative consultant for this highly praised series, directed by Stephen Ives, which won the 1997 Erik Barnouw Prize.

Ken Burns was the director, producer, co-writer, chief cinematographer, music director and executive producer of the Public Television series Baseball. Four and a half years in the making and eighteen and a half hours in length, this film covers the history of baseball from the 1840s to the present. Through the extensive use of archival photographs and newsreel footage, baseball as a mirror of our larger society was brought to the screen over nine nights during its premiere in September 1994. It became the most watched series in PBS history, attracting more than 45 million viewers.

David Bianculli of the New York Daily News said, "[Baseball]...resonates like a Mozart symphony." Richard Zoglin of Time magazine wrote, "Baseball is rich in drama, irresistible as nostalgia, and...an instructive window into our national psychology." Baseball received numerous awards, including an Emmy, the CINE Golden Eagle Award, the Clarion Award, and the Television Critics Awards for Outstanding Achievement in Sports and Special Programming.

Ken Burns was also the director, producer, co-writer, chief cinematographer, music director and executive producer of the landmark television series The Civil War. This film was the highest rated series in the history of American Public Television and attracted an audience of 40 million during its premiere in September 1990.

The New York Times called it a masterpiece and said that Ken Burns "takes his place as the most accomplished documentary filmmaker of his generation." Tom Shales of The Washington Post said, "This is not just good television, nor even just great television. This is heroic television." The columnist George Will said, "If better use has ever been made of television, I have not seen it and do not expect to see better until Ken Burns turns his prodigious talents to his next project."

The series has been honored with more than forty major film and television awards, including two Emmy Awards, two Grammy Awards, Producer of the Year Award from the Producer's Guild, People's Choice Award, Peabody Award, duPont-Columbia Award, D.W. Griffith Award, and the $50,000 Lincoln Prize, among dozens of others.

In 1981, Ken Burns produced and directed his first film for PBS, the Academy Award nominated Brooklyn Bridge. During the 1980s he made several other award-winning films, including The Shakers; Statue of Liberty, also nominated for an Oscar; Huey Long, the story of the turbulent southern dictator, which enjoyed a rare theatrical release; The Congress; Thomas Hart Benton, a portrait of the regionalist artist; and Empire of the Air: The Men Who Made Radio. Ken Burns has also produced and directed three films - William Segal, Vézelay, and In The Marketplace - which explore the questions of seeing, searching and being through the work and teachings of philosopher and painter William Segal.

Ken was born in Brooklyn, New York, in 1953. He graduated from Hampshire College in Amherst, Massachusetts, in 1975 and went on to be one of the co-founders of Florentine Films.

 

Bill Moyers was one of the chief inheritors of the Edward R. Murrow tradition of "deep-think" journalism. Working alternately on CBS and PBS in the 1970s and early 1980s, and then almost exclusively on PBS. His achievements were principally in the areas of investigative documentary and long-form conversations with some of the world's leading thinkers. Moyers, who had been a print journalist, ordained Baptist minister, press secretary to President Lyndon Johnson, and newspaper publisher before coming to television in 1970, gained public and private foundation support for producing some of television's most incisive investigative documentaries. Each was delivered in the elegantly written and deceptively soft-spoken narrations that came, Moyers later said, out of the story-telling traditions of his East Texas upbringing. Where Edward R. Murrow had taken on Joseph McCarthy on See It Now and the agri-business industry in his famous Harvest of Shame documentary, Moyers examined the failings of constitutional democracy in his 1974 Essay on Watergate and exposed governmental illegalities and cover-up during the Iran Contra scandal. He looked at issues of race, class and gender, at the power media images held for a nation of "consumers," not citizens, and explored virtually every aspect of American political, economic and social life in his documentaries.

Equally influential were Moyers' World of Ideas series. Again, Edward R. Murrow had paved the way in his trans-Atlantic conversations with political leaders, thinkers and artist on his Small World program in the late 1950s, but Moyers used his soft, probing style to talk to a remarkable range of articulate intellectuals on his two foundation supported interview series on PBS. In discussions that ranged from an hour to, in the case of mythology scholar Joseph Campbell, six hours on the air, Moyers brought to television what he called the "conversation of democracy." He spoke with social critics like Noam Chomsky and Cornel West, writers like Nigerian novelist Chinua Achebe, Mexican poet and novelist Carlos Fuentes and American novelist Toni Morrison, and social analysts like philosopher Mortimer Adler and University of Chicago sociologist William Julius Wilson. Moyers engaged voices and ideas that had been seldom if ever heard on television, and transcribed versions of many of his series often became best selling books as well (Joseph Campbell and the Power of Myth, 1988; The Secret Government, 1988; A World of Ideas, 1989; A World of Ideas II, 1990, Healing the Mind, 1992). The Joseph Campbell book was on the New York Times best seller list for more than a year and sold 750,000 copies within the first four years of its publication.

Moyers' television work was as prolific as his publishing record. In all he produced over six hundred hours of programming (filmed and videotaped conversations and documentaries) between 1971 and 1989, which comes out to 33 hours of programming a year or the equivalent of more than half an hour of programming a week for eighteen years. Moyers broadcast another one hundred and twenty-five programs between 1989 and 1992 working with a series of producers--27 of them on the first two World of Ideas series alone. He formed his own company, Public Affairs Television, in 1986, and distributed many of his own shows.

By the early 1990s Bill Moyers had established himself as a significant figure of television talk, his power and influence providing him access to corridors of power and policy. In January of 1993 he was invited for a rare overnight visit with President elect Bill Clinton to discuss the nation's problems before the Clinton Inaugural. Bill Moyers had by this time become one of the few broadcast journalists who might be said to approach the stature of Edward R. Murrow. If Murrow had founded broadcast journalism, Moyers had significantly extended its traditions.

-Bernard Timberg

(Since publication of this biographical sketch by The Museum of Broadcast Communications, Bill Moyers concluded production of Bill Moyers Journal, developed and hosted NOW with Bill Moyers, and developed Moyers & Company, which debuted nationally in January, 2012.  Moyers & Company airs on OETA Saturdays at 5:00 pm and again on OETA OKLA Sundays at 6:00 pm.  Moyers & Company is distributed through American Public Television).

Veteran network news correspondent, Mike Boettcher, has been recognized with journalism's top awards for his coverage of events that shaped the world since 1980. He also helped launch the era of 24-hour live news coverage on June 1, 1980, when he performed the first live satellite report for a fledgling network called CNN. In a three-decade network career, Boettcher received national recognition in all facets of broadcast journalism – breaking news, feature, war coverage and investigative reporting. He was also recognized for his investigations of the world's most dangerous terrorist groups. As the chief correspondent for CNN's terrorism investigation unit, a team he created in the summer of 2001, Boettcher was awarded a Peabody, his third of four National Emmys and a National Headliner award.

Jim Lehrer was the first guest on the new OETA program, On the Record. Born in Wichita, Kansas, in 1934, Jim Lehrer received an A.A. degree from Victoria College and a B.J. in 1956 from the University of Missouri before joining the Marine Corps. From 1959 to 1966, he was a reporter for The Dallas Morning News and then the Dallas Times-Herald. He was also a political columnist at the Times-Herald for several years and in 1968 became the city editor.

Lehrer's newspaper career led him to public television, first in Dallas, as KERA-TV's executive director of public affairs, on-air host and editor of a nightly news program. He subsequently moved to Washington, DC, to serve as the public affairs coordinator for PBS, and was also a member of PBS's Journalism Advisory Board and a fellow at the Corporation for Public Broadcasting. Lehrer went on to join the National Public Affairs Center for Television (NPACT) as a correspondent.